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Jan Anderson's avatar

At the year 1000 I was reaching for the OE dictionary.

Great fun.

I was shocked to find that I often write in the language of 1900, even 1800.

No wonder people think I am nuts.

Colin Gorrie's avatar

If that's nuts, I don't want to be sane! 1800–1900 is a really good period for English prose style.

Anna Trombley's avatar

I second that, although what to me seems the preponderance of double negatives in a sentence always puzzles me. (Those 6th grade grammar lessons still resonating, I guess.)

Wayne Dawson's avatar

I know this one having wondered about it before.

That double negative “rule” is somewhat recent, grammarians in the late 1700s started it, some say by following Latin rules, and others say it was in analogy to mathematical thought — but it was probably Latin grammar that had a greater influence.

They are all over old English and Middle English, where they don’t negate each other, but affirm each other, serving as an intensifier.

It’s still common in some modern tongues, too (e.g. , Portuguese, which I do realize is descended from Latin, but still does it. Come to think of it, Polish too.).

Anna Trombley's avatar

Wow. Thank you!

This fills a gap in my understanding that I did not know was gaping 😎

Thomas Blackburn's avatar

There’s the “logical” double negative where the two negatives create a positive, a sort of fussy understatement deployed for effect: “I am not unmindful of the fact that . . .” Then there’s the double negative that’s considered non-standard in English (“I never said nothing”) but perfectly correct in other languages: je n’ai jamais rien dit, ég sagði aldrei neitt (I said never nothing) 😅

Live Life Not Behind Glass's avatar

Dont you worry about that! It dont make no nevermind nohow!

Anna Trombley's avatar

Haha

Joseph L. Wiess's avatar

Nay, ye be not of unsound mind, but ye speke as un wit a poetes sol.

Andrew Fletcher's avatar

Huzzah!

Kerry Armour's avatar

Me too! I get teased a lot for things like: "To whom am I speaking? Shall I not ask him? Methinks not."

But, hey....from an old Yankee family, me.

Paul's avatar

Same. I got the gist of year 1100, but there were dragons lurking. One wee quibble about 1800, though. I doubt the weak form "chided" had eliminated "chid" quite yet.

Deep Turning's avatar

In high school, we had to write a paragraph or two imitating earlier English styles, going back to 1700 or so, when we're firmly still in modern English. For the 1700s, I imitated something from Gibbon or the Declaration of Independence, balanced, stately sentences. For 20th century style, I tried Hemingway, whom my father adored. Short sentences. For wise guys. See?

James Roberts's avatar

1000?!

1309 had me stvmped

“I deme þe to þe deeþ, straunger. Here ſchaltou dyen, fer fram þi kynne and fer fram þine owen londe, and non ſchal knowen þi name, ne non schal þe biwepe.”

Robert Ashens's avatar

I also write in the style of 1800s & early 1900s; occasionally, I hearken back unto 1700 realms.

Anne Donnelly's avatar

I, too, tend to write very formally, even in emails.

Juliet Wilson's avatar

This is fascinating. 1300 offered no real difficulty, 1200 I couldn't read. It's very interesting that there is such a clear distinction at that date, given that there are clear changes in every century's version of our language

Colin Gorrie's avatar

Part of the reason might be the big dropoff in French words between 1300 and 1200, since 1250 is when the French flood began.

Juliet Wilson's avatar

Though I speak German and had hoped that that might help me with the earlier forms of English...

Ben's avatar

I‘d hoped the same. The Plattdeutsch spoken in my part of Germany, which is very Dutch-influenced, made the mid-1000s easy to understand, but did nothing for 1200 or earlier. I wonder if the Platt nearer Denmark would be closer…

Kathleen Lowrey's avatar

I worked for years in Bolivia and Paraguay and was always struck by the way Mennonite Plattdeutsch sounded like something I *ought* to understand as an English speaker, and yet could not. The murmur of Mennonite conversation was deeply familiar, the actual content completely opaque.

Deep Turning's avatar

I get that feeling hearing modern Dutch. There's a west Germanic rhythm and structure that our minds are detecting, even while we can't understand individual words.

Carlo J.'s avatar

I speak standard German and South German dialect. Until 1300 was a breeze, 1200 was very difficult, 1100 and 1000 basically no chance.

Amy K's avatar

I speak French, had the same thought. I saw the influences of both French and German, toward the end.

Jay Currenari's avatar

One second. Right but not completely. Lol

The ‘Alte Deutsche Sprache’ isn't anymore what is today. That's where you got lost.

Ayo's avatar

It started looking like German to me at 1200. Fascinating and thoroughly enjoyed. Thank you!

Yvonne Aburrow's avatar

Knowing German helped me. I’m also learning Swedish so that helped too.

Bina Brissie's avatar

I am a German native and also only got to 1300 and gave up at 1200. I don't think German helped here much and neither did Plattdeutsch, which I also understand.

Adam's avatar

I'm pure American Southern and therefore barely speak English, much less anything else but also got through 1300 just fine and hit the wall at 1200. It's interesting the to see overlap like that with seemingly unrelated languages

Susan Ray's avatar

Same. And it did nothing.

Mary Catelli's avatar

I had some difficulty with 1300, but it fell off a cliff at 1200.

Kathlyn's avatar

That was the point I lost it too - it really is a marked cliff! *mutters* something something Norman monasteries

skaladom's avatar

Same here. Huge change in a short time!

TooMeta Petr's avatar

I was doing okay till 1200, and around 1100 I've lost the thread of the story, although some glimpses of what was happening remained. Some knowledge of German, Russian and reading some of the Tolkien's papers the ones his son published helped a lot, even in 1000, although not enough pieces for a picture of any sort of clarity.

Andrew Egan's avatar

Like most, 1300 was pretty clear, 1200 was isolated bits, not coherent. 1100 nothing.

Ben Handley's avatar

Exactly my experience. I was missing a few words at 1300, but feeling basically confident, then it was instantly all over in 1200.

Amy K's avatar

Same experience, Juliet Wilson. I got the gist of the 1200s but very little detail. What fun!

Greg Fournier's avatar

This is great. My one (very minor) critique is the lack of semicolons, especially in the 1800s and 1700s sections. I'm currently reading "Vanity Fair" (1847-8) and have encountered far more semicolons than I'm used to in more modern English.

Colin Gorrie's avatar

We'll probably need to put in a fresh order at the semicolon factory

wrytes@proton.me's avatar

Yes, well, clearly, the depths of semicolonic surgery were just beginning to be plumbed at the time.

Wendy Jackson's avatar

Old English was a requirement for all English majors when I went through, as well as courses in Chaucer, Spencer, Shakespeare. You need more than one undergrad course in OE to be able to read it fluently I found, even if I saw some familiar words in the 1000 section. I so enjoyed recognizing stylistic keys in each section that correspond to many texts of my long ago university experience.

Thank you.

Colin Gorrie's avatar

I'm glad to hear it brought back some memories for you!

Madaleyne Sallakian's avatar

yes! i took all three of those classes last semester and im pleased that i finally got to use those skills lol probably will be the only time

Gemma Driver's avatar

Interesting, thanks! The man in 2000 seems to be American (rather than English or from elsewhere in the UK)? 'Some place', 'the whole day was shot', 'Not going to lie', 'A guy', 'It kind of freaked me out', 'this one weird guy', 'real specific'. There are a few more borderline phrases that sound American but a British person could possibly have written them without sounding too out of place.

Colin Gorrie's avatar

Good eye! Yes, I wrote the 2000s section so that I could perform it if necessary — before I realized that adding audio would somewhat defeat the purpose of the article — and the only accent I'd want to subject you to is my own (Canadian), so I wrote it using a broadly North American voice.

Gemma Driver's avatar

Makes sense, thanks Colin. Although if you can perform Middle English etc, I'm sure you'd be great at current English accents 😉

Sud's avatar

Honestly I would love an audio form of this to fully grasp the difference in speaking as well !

Bob Bunting's avatar

Yeah, ish... Colin (as I understand it) is Canadian, so that might explain some of this. We definitely do talk about "guys" these days in British English (I've even adopted the North American habit of using it gender-neutrally), and I have to say Gemma that younger British people use "Not gonna lie" very frequently in my experience. (Though I don't think they did in 2000...) But your other examples are spot on.

Gemma Driver's avatar

Yup I say 'guys' regularly (gender-neutral), but I don't think many Brits would type it out to describe a man, and not in 2000. And 'not gonna lie' is obvs very common now in the UK, but again, wouldn't be typed out like that, and def not in 2000. But maybe the blog author is meant to be Canadian...

rob's avatar

I use peeps. Or should that be peypes? 😁

Rayna Alsberg's avatar

Internet no doubt is to blame (or thank?) for the faster spread of regionalisms or slang.

Wayne Dawson's avatar

I think that was the style of writing he was imitating (Live Journal) blog/diary platform. It was full of those phrases. Maybe because it was started by an American in 1999? At that time it was mostly North American English. Latter it was sold to a more global blogging company, who eventually sold it to Russian interests. I’m not sure if it’s still active in Russia.

However, for continuity of the story you are right. Well maybe the character was a foreign visitor, in that case.

Joe's avatar

Well, I would expect the author would not be from the UK - folks in the UK would have learned by now to stay away from that town! 🤣

Sailor Io's avatar

While it reads slightly more British to me, 1900 could plausibly read as literary writing from either country. There are defintely some 19th-century American authors that fall into the gap between the 1800 or 1900 entries, like their British counterparts.

I've found that Internet lingo tends to dissolve a lot of regional and national dialect differences because everyone is copying each other. Not only do you get more British people using Americanisms or Canadianisms, but it goes the other way too (e.g. "uni" is uncommon in the USA as a shorthand for "university," but common online including among Americans). Or people from the northern USA using Southern terms they'd feel strange using irl, but are common online (I'm thinking of "y'all" here). It's the combination of being exposed to many more words, with being in a position (due to the Internet's anonymity, and far more so in 2000 than today) where the stakes for "using it wrong" are low.

The Stubborn Translator's avatar

What an absolutely fascinating read, Colin! I've studied foreign languages but never really English; it was so interesting seeing the Dutch, Germanic and Nordic influences slowly emerge from beneath the cloak of French and Latin. And yes, like most other people I lost it completely at 1200, so thank you for providing us with closure!

Colin Gorrie's avatar

Thank you! I hope our blogger is happy fighting the good fight out there.

Phil Moorhouse's avatar

What a fascinating sortie into past. I got down to 1500 without any real problem. 1400 to 1200 was certainly doable with two or three read throughs and translation lookups. From 1100 downwards took considerable effort with multiple read throughs and look ups. I’ve been studying OE for 12 months and this exercise was a real eye opener. I’m currently half way through a second reading of Osweald Bera and half way through Ælfrics Colloquy. Without OE I would say that 1500 would be OK if you watched your Ps and Qs but from thereon I would get ready to duck, because understanding the spoken word might be a very different challenge. On a final note, I would say that a grounding in OE develops understanding across the whole spectrum; including modern English. Perhaps it’s time to start making it more accessible through the education system?

Colin Gorrie's avatar

I couldn't agree with you more! Old English in every school!

A spoken version would ironically be easier in some centuries (although harder in others). The writing change by fits and starts, and not at all in lockstep with the changes in sound, which is why English spelling is such a mess.

Phil Moorhouse's avatar

I would also imagine that the regional ME /OE dialects would be as challenging as they are to day. In the UK there are an estimated 40 -50 dialects some of which can be interesting when we slip out of RP mode

Bob Bunting's avatar

Absolutely. I was struck in that amazing Simon Roper video that Colin linked to that Simon kept saying that he was specifically aiming for a south-eastern Mercian dialect of OE, and that there would have been different choices for other OE dialects. I wonder how mutually intelligible they were? Even now, many Br English speakers struggle with Geordie, Glasgow and Ulster accents - and I can attest to that, having been a Belfast boy growing up in SE England.

Phil Moorhouse's avatar

As I understand it the Anglo Saxon dialects were mutually intelligible but divergences might have lead to occasional differences in interpretation. My guess is that they would have gone the extra mile with each other when clarity was important. It’s a fascinating subject because for all we know the population outside of academia might have had regional lexicons of slang words and colloquialisms much as we have today. Personally I like dialects because they can widen the scope of expression and they enrich language rather than diminish it. Twenty years ago who ever would have thought that a program called Peaky Blinders would have lead to a language course in Brummie for actors.

Bryan L's avatar

I've been watching This Old House and Ask This Old House for decades, not least because of the New England accents my aunt and uncle had and my mom still had traces of.

One of my favorite moments was when Roger Cook, the landscaping guy, went to Ohio to help a homeowner. He told her to dig a hole and put the dirt "on the tahp" while he did something else. He came back and she had just piled the dirt on the grass next to the hole. She said "I put in on top like you said" and he replied "no, on the tahp, the taahhhhp" pointing to ... a tarp he had laid out. :-D

Phil Moorhouse's avatar

I would say that top pronounced “Thap” might well have West Country Origins or possibly Norfolk/ Suffolk?

Gerald Brennan's avatar

How much do we know about how Middle and Old English were pronounced?

Phil Moorhouse's avatar

This Middle English was written by John Travisa in 1387 where be appears to have acknowledged issues with understanding English dialects. “Mercii refers to the Kingdom of Mercia; basically the divide between North and South

For men of the est with men of the west, as it were undir the same partie of hevene, acordeth more in sownynge of speche than men of the north with men of the south, therfore it is that Mercii, that beeth men of myddel Engelond, as it were parteners of the endes, understondeth better the side langages, northerne and southerne, than northerne and southerne understondeth either other...

Mike's avatar

>Spelling was standardized in the mid-1700s

"This recommendation of steadiness and uniformity [in orthography] does not proceed from an opinion, that particular combinations of letters have much influence on human happiness; or that truth may not be successfully taught by modes of spelling fanciful and erroneous: I am not yet so lost in lexicography, as to forget that words are the daughters of earth, and that things are the sons of heaven. Language is only the instrument of science, and words are but the signs of ideas: I wish, however, that the instrument might be less apt to decay, and that signs might be permanent, like the things which they denote." (Samuel Johnson, "Preface to the Dictionary", 1755)

Jacqueline W's avatar

This was great. Like many others I got as far as 1300 and could understand some of what was going on in 1200 but missed some details.

John Crawford's avatar

Wow, very interesting. And I love Simon’s videos. Reading aloud, in Chaucer style, 1300 was really no trouble. But, as you predicted, 1200 was incomprehensible. So c. 1250 was the very steep cliff for me.

Colin Gorrie's avatar

So then the interesting question is: did you notice the same cliff at 1250 in Simon's spoken version of this experiment?

John Crawford's avatar

An excellent question. The short answer is no, only by about 1500 do I understand fully when listening. I'd already discovered this difference when listening to Chaucer in original pronunciation: I'm better at reading than at listening. My listening brain hasn't fully internalized the Great Vowel Shift, so I miss too much and get lost quickly. (BTW, I've purchased Osweald Bera and hope to start on it soon.)

Phil Moorhouse's avatar

Witodlīċe þæt wæs wundorliċ; hit wæs swiþe gōd spell.

Iċ þancie þē

Wes þū hāl

Colin Gorrie's avatar

Iċ þē þanciġe ēac, Phil! Wes þū hāl!

Felix's avatar

2000: normal English

1900, 1800: classic writing style, something I personally like reading, so no troubles at all.

1700, 1600: the sudden introduction of the "lisp" (the variant S) trips my mental voice up, but mouthing the words is enough to have no difficulty understanding anything.

1500, 1400: still understandable, with some difficulty. It's getting harder very quickly though.

1300: A real struggle, and I've certainly missed the meanings of a few words here.

1200: Huh???

Colin Gorrie's avatar

I'm sensing a trend that the 1300-to-1200 jump is the hardest one!

B.'s avatar

Got through a good bit of the 1200s, skimmed the 1100s, and where's my Anglo Saxon Primer for the rest of it?

Felix's avatar

For some extra context:

- My native language is Dutch, but the sudden spelling changes at 1200 made it very hard to figure out what the word was supposed to be pronounced like, which would probably have given me some extra clues as to their meaning.

- I've followed you for long enough that I know eth, thorn, yogh, the "lisp" S and æ. That made reading a lot easier for a big part of this.

Karlien De Klerk's avatar

My first language is Afrikaans, and I've studied German and Swedish. That helped me in the 1200 and 1100 section, but after that I was lost!

Alison E Billett's avatar

Hi Colin, I have dabbled a bit in Old Engish (u3a Wymondham group are using Osweald Bera to learn). Did Chaucer way back at school. So I got right back to the final text where I managed about 75%. Great exercise. ALISON B x

Colin Gorrie's avatar

Amazing! You've got so much great literature open to you if you can read all the way back. And it's lovely to hear there's a group using Ōsweald as well! God spēde ēow!

Don's avatar

This is great fun.

James's avatar

I loved this! I lost it around 1200/1300, like you predicted.

Was thorn used for both voiced and unvoiced th?

Colin Gorrie's avatar

Yes, thorn was used for both in Old and Middle English. In Old English, ð is used indifferently for both as well.

Architectonic's avatar

I'm not sure about in English, but the International Phonetic Alphabet uses ð as voiced th and θ as unvoiced. It's funny how the same symbols pop up.

Wayne Dawson's avatar

That applies for old Norse and modern Icelandic, but not old English. In fact scribes often used them both for the same word just a few sentences apart.

They’re interchangeable in OE.

One has to pay attention to what letters/syllables they are next to, or where the are in the word to know when to voice it or not.

It’s not really hard to do though: basically initial position or final position or when doubled or next to voiceless consonants — it is voiceless.

When between vowels or a vowel and a voiced consonant — it is voiced.

Jim J. Jewett's avatar

Was that soon after English stopped contrasting the "th" sounds? I'm trying to figure out why both letters even existed, if there wasn't an important existence. But that "same word a few sentences apart" ... The only ideas I can still come up with are "It used to indicate voicing, and old people still _heard_ the distinction, even when it was sort of random", and "not every question even has a clear answer".

A. Barmazel's avatar

> I'm trying to figure out why both letters even existed, if there wasn't an important existence.

The scribes just liked visual variation, I guess. A handful of letters had interchangeable shapes, such as https://en.wikipedia.org/wiki/G#Typographic_variants and https://en.wikipedia.org/wiki/R_rotunda and https://en.wikipedia.org/wiki/Ezh and it's not uncommon for a scribe to alternate between them, according to his artistic taste.

Wayne Dawson's avatar

We still contrast them, E.G., unvoiced (/θ/) as in 'thumb' or 'thin' or 'bath' vs. voiced (/ð/ ) as in 'that' or 'then' or 'bathe'. However, we never distinguished them in writing; we always only did it by sound.

Why they (Anglo-Saxons) used both instead of one is because they already thorn from runes, while the eth is a modified Latin d, where scribes took the Latin minuscule letter 'd' and added a cross-bar (diacritic) to show it was being "softened" into a fricative.

These were interchangeable because they are allophones.

Note that Old Norse started that way as well, but Icelandic scribes started spelling phonetically, and decided to differentiate the two. (They took the eth home with them - sometime in the 11th century - from the English, along with other things <grin> that had interest to them).

In English originally, for a while that is, ð was the "winner" in early manuscripts (like those from the era of King Alfred). However, later scribes in the Danelaw and the north preferred the Runic þ.

Eventually, þ became the dominant letter in Middle English, while ð vanished almost entirely by the 1300s.

Then thorn suffered the same fate since the printing press didn’t contain it.

Jim J. Jewett's avatar

Do we contrast them? There is a difference that you can learn to hear, and I am sure that using the wrong one will sound a bit off, at least to some people. But to me, they do seem to clearly be allophones, and I can't think of a minimal pair.

Are you saying that even Norse and Angle-Saxon treated them as allophones, but Norse (or just Icelandic?) later _developed_ a written distinction? Do they _now_ have minimal pairs?

Was there originally a weak preference for thorn in words inherited from Anglo-Saxon but eth in borrowed words?

Or were they considered different ways of writing "the" same sound, like ö vs oe?

A. Barmazel's avatar

> Or were they considered different ways of writing "the" same sound, like ö vs oe?

Yes, exactly. You'd find some common words such as "that", "thou" or "the" spelled with ⟨ð⟩ but abbreviated as ⟨þᵗ⟩, þᵘ⟩ or ⟨þᵉ⟩ (as Colin had mentioned), just because the ascender of ⟨ð⟩ doesn't leave room for the superscript letter.

Wayne Dawson's avatar

Despite my less that precise answer to your question, I still think In modern English, anyway, that they're not allophones. Although, the difference is a bit subtle, but I think I can hear the difference when I say them.

Although I didn't do it, one way to test yourself is make a recoding of the minimal pairs below, and then test in Praat.

https://www.fon.hum.uva.nl/praat/

minimal pairs to try...

- thigh, thy

- ether, either (with /i/)

- sheath, sheathe

- mouth (noun), mouth (verb)

- teeth (noun), teethe (verb)

- wreath (noun), wreathe (verb)

Maybe you'll find that you can hear a difference just from the recording itself.

Tom Millest's avatar

I could make out 1200 with a bit of guessing (though I thought the woman was a wife!). No sense of 1100 or 1000 though. It helps having the context from the more recent sections.

Mary Catelli's avatar

Ah, that's the trick! "wif" means adult female, just as "were" means adult male.

So if you see mems about wifwolves, that's the root.